July 22, 2010
Local Hero
Let me repost something from January 2006 as a way of recognizing the 5th anniversary of EBiN.
Local Hero was released in U.S. theaters in February of 1983. Typically, when movie studios open movies in January-March, there's a reason (embarrassment, shame, etc.). But Local Hero is not one of those types of films. It must not have ever found its audience; the soundtrack (by Mark Knopfler of Dire Straits) made more money. That's not saying much, because I think the soundtrack was considered a bit obscure at the time. Viewing it as an adult, it now reminds me of when I first discovered it at the age of 16, which in turn, now reminds me of the place where I grew up.
"Freeway Flyer"
Peter Riegert (Boon from Animal House) plays Mac, a small fish trying to make it in a big pond. He works for Knox Oil & Gas, located in Houston, Texas. His is the fast-paced life of a suit climbing the corporate ladder. He's recently divorced, and he has a Porsche he carries a picture of in his wallet. His life is shallow and empty. Empty as a pocket with nothing to lose.
The company wants to purchase several miles of pristine beachfront property near Ferness, Scotland, due to its potential for high-yield oil drilling. Mac is sent to close the deal, because the CEO mistakenly thinks he is Scottish.
Our and Mac's first glimpse of the tiny fishing village about to invaded by the Yankee silver dollar is in the form of a model at Knox's research and development, Scotland branch. The model is small, generic, artificial, nothing like the real thing:
"Wild Theme"
The quiet village has one main road, rarely used by four-wheeled vehicles. Two-wheeled? Well, that's another story.
Mac is sent to negotiate a price for purchase of the entire village from Gordon Urquhart.
The actor might look familiar. It's Denis Lawson, who played Wedge Antilles in Star Wars, The Empire Strikes Back, and Return of the Jedi. He just so happens to also be the uncle of Ewan McGregor.
Mac and his Scottish counterpart might as well be back in the office, walking past endless rows of cubicles. They are inexplicably unaware of the natural beauty surrounding them.
As they discuss all the miracle products oil and petroleum provide mankind, they turn to look at the village and marvel at how similar it is to the model.
Yet, Mac is beginning to fall under its spell.
"The Rocks and the Water"
The village's one phone (don't you love how the advent and proliferation of cell phones has made so many movie and book plot points obsolete?) becomes a vital link back to Houston and "civilization".
Another day at the office.
The village seen in the movie was not near the beach that the characters walk on, they were on opposite sides of Scotland. To make the connection, a cardboard church was built at the end of the beach to match the church in the village.
Slowly, but surely, the big city oil men are seduced.
Mac discovers an old hermit, who lives in a ramshackle structure on the beach, owns the entire beach, according to an ancient deed. The man's name is Ben Knox. He could be a major impediment to the deal. Mac and Urquhart must treat him with kid gloves and basically kiss his ass.
Mac sees his first meteor shower during the initial meeting with the old hermit, Ben.
The smallness of man.
As Mac comes increasingly under the area's spell, he begins to shed his corporate uniform, first, losing the sacred symbol of business--the necktie.
Houston time seems far, far away.
The CEO of Knox Oil & Gas, back in Houston, has asked Mac to keep him advised--not of the deal, but of the skies. You see, the CEO, Happer, is an avid, amateur astronomer.
Happer, portrayed by Burt Lancaster, is keen to discover a comet, and to name it Happer's Comet.
"The Ceilidh and the Northern Lights"
CEO Happer, based on Mac's descriptions of events in the sky, concludes there is something special about Aberdeen. He decides to make a personal appearance.
Happer meets with old hermit Ben, the final barrier to closing the sale of the beach and village. Ben and Happer share a love of astronomy.
The plans for tearing down the village and turning it into an oil refinery change, and now it will become part of a marine life research center. The villagers will still get paid, and yet retain their way of life. CEO Happer sends Mac back to Houston to make the necessary changes. Everyone wins. But why does Mac feel so blue? Has he fallen in love with the place?
Is it goodbye?.......
Back in Houston, Mac's overcoat pockets are stuffed full of seashells, and they still smell like Ferness.
So beautiful:
The pollution, police sirens, traffic sounds, and other noise of Houston (circa 1983) reach the lofty heights of Mac's high-rise condo's balcony.
The film's final shot of the village and the lone phone booth leaves us guessing:
Labels:
Local Hero,
movie locations,
movies,
recaps,
screencaps
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9 comments:
Thanks! I tried not to make it too wordy, and still coherent.
Nice scope Lancaster's got there. Wasn't there a mermaid character in that movie?
Oh yeah, Happer (Lancaster) is fully equiped. He basically has an entire observatory attatched to his living quarters. Pretty sweet.
There is a mermaid character. There's a lot I didn't include, simply because I try not to make these too long.
Thanx 4 that mini-movie.
I feel like I've seen it!
:o
Trust me, starbender, you've not seen it! I left some good stuff out (didn't want to overwhelm or overdo). You must rent or Netflix it.
I found this page as an indirect result of a search for a vaguely related topic.
Perhaps some viewers of Local Hero may not at first realise that the film, although fiction, is actually based very firmly on actual fact.
It portrays Occidental Petroleum's acquisition of what became the Flotta oil terminal in Orkney. The autocratic boss/owner of the oil company, Arnold Happer in the film portrays the real-life boss/owner of Occidental, Armand Hammer. Just as did Happer in the film, Hammer really did offer to buy the villagers of Flotta a piano for the village hall.
Many of the characters in the film are either directly based on real people or are amalgams of several real people. The (then) young Surveyor, Oldsen, is directly based on a (then) young and slender chap who is also of Scandiwegian background. The Company contracts administrator in the movie is changed to an American, from the real-world guy who was actually from the London office, but was also of Scottish ancestry and has a surname which is very similar to the principal character in the film. He now works for a very large European multinational and is based in a sandpit in the "other" Gulf.
The local characters in Local Hero are all very firmly based on real people, though most are amalgams of several people rolled into one to impart something of the flavour of life in the Highlands and Islands of Scotland.
It's a lovely film, though. It does convey a lot of the humour of Scottish life. It's one of those films which you can easily watch twice because you usually miss some of the background jokes first time you see the film.
This wonderful film can withstand multiple viewings as it has not only a pro environment message and a cast of colorful characters & beautiful locations, but also a deep look into our obsession with climbing the ladder of success and how that climb sometimes makes us lose sight of core values and beliefs. A rare film that can be light or heavy depending on what you want to concentrate on. Not an easy task for a writer or director. This type of light/deep interpretive film is similar to "Stranger Than Fiction" where I see both a simple comedy and a profound message wrapped up with a bow by a talented writer and director.
Fascinating to hear the background of the story from the comment at 12:30.
I worked with Peter Reigert off-Broadway in 1977, so when "Animal House" and "Local Hero" came out I was thrilled to see an old pal in the movies. It really is a good movies that still stands up. He's a fine actor and it's great to see how his career developed - nothing fancy but good roles and good work.
Ah. _Stranger Than Fiction_, one of my favorite movies of all time.
Comparing this one to that ensures that I will view it.
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