
Based upon the Jules Verne novel, with a soundtrack composed and conducted by Bernard Herrmann, and starring.......Pat Boone(?). Only in the '50s.



Ebony's salute to "The 25 Coolest Brothers of All Time" in its August issue includes the late, great Sammy Davis, Jr. To celebrate that recognition, here he is performing "My Shining Hour" during his set at the St. Louis Benefit for Dismas House in 1965:
From the Wikipedia entry:

From Billy Joel's tribute to the music of his childhood, An Innocent Man (1983), "Uptown Girl" peaked at #3 on the Billboard charts in the US, and #1 in the UK; in 1988, Rolling Stone magazine ranked "Uptown Girl" #99 on its list of the 100 most important singles of the period 1963-1988. The song also has the somewhat unique feature of changing key from the original two times before going back, for a total of three keys.
Of course supermodel Christie Brinkley appears in the music video, and could very possibly have inspired Billy Joel to write the song in the first place. They divorced in 1994, and subsequently the song was missing from the setlist during Joel's 1994 River of Dreams tour.
I'm coming to this a little bit late, not catching the "Major Boobage" episode of South Park during the past season. But I'd still like to thank the show's creators for educating me as to the untapped potential of my two male cats (bastards!):
The music in the YouTube clip above was Don Felder of the Eagle's "Heavy Metal (Takin' a Ride)," really the theme of the movie. And other than Blue Öyster Cult's "Veteran of the Psychic Wars," it's the best tune on the soundtrack, in my humble opinion. I hadn't heard it in a while, so it sort of gave me goosebumps to hear it in "Major Boobage." This is a section of the scene from Heavy Metal in which the song was used:
"Time After Time" was written for the film It Happened in Brooklyn (1947) by Jule Styne and Sammy Cahn. The arrangement was done by Frank Sinatra's Columbia arranger, Axel Stordahl. This version (as well as the Columbia recording, which I think this one is -- the piano part sounds as if it was dubbed in, and seems discordant to me) demonstrates the impeccable phrasing and breath control of "The Voice." Here's the scene from It Happened in Brooklyn in which Sinatra's character sings it for Jimmy Durante, who knew a good tune when he heard it. Step back, briefly, to a different time: