June 8, 2006

Kilgore impressions

I had to get a shot of this neon sign as I pulled into town. I don't know how old it is, but the store has probably been around since at least the 1960s. Still open.

It's easy to lose oneself in the wide, quiet streets of old, downtown Kilgore. I always feel like a character in The Last Picture Show.

From this site about Kilgore:

On Oct. 3, 1930, in a Rusk County pasture, 70-year-old "Dad" Joiner brought in the Daisy Bradford 3 and unknowingly tapped into the world's largest pocket of oil.

The resulting oil boom brought thousands of producers and drillers into East Texas, turned the quiet little communities into raucous boom towns and made millions for oil producers...

...More than 1,000 wooden oil derricks -- perhaps the most visible evidence of the East Texas oil boom -- lined the town's streets. During the Christmas season, lights were hung on many of the derricks. And one plot of ground was known as "“the world's richest acre..."


There's that famous line in Hunter S. Thompson's Fear and Loathing in Las Vegas in which Raoul Duke reflects on the death of the 1960s and the counterculture's ideals: "So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark--that place where the wave finally broke and rolled back." (p. 68)

I think, somehow, that sentiment applies to a place like Kilgore, where it must have seemed like the boom would never end. But it did, and with "the right kind of eyes," one can see the high-water marks.

I parked my car and had this beauty to contend with:

Maybe I should go back at night? As if that one isn't enough, right across the street is (roughnecks couldn't spend all their time boozing, gambling, and whoring, not necessarily in that order):
The entire interior was reportedly done in western style decor. As a one-time Longhorn, I'm a little bit suspect about the color. Maybe it was somebody's attempt at diplomacy?

Unlike those two theaters, most of the stores in the old downtown are still open for business.


I'd hate to get anyone at G & B Boot Shoe and Saddle Repair in trouble, but they're not fooling anybody with that mannequin in the window. That man's a woman, man.


What's referred to as "the world's richest acre" is behind those buildings. The area was covered with thousands of derricks at one time.


There's something about old jewelry stores from the 1940s-1960s.

All that's missing is a '59 Thunderbird parked out front.


There's the old Longhorn Drugs. Again with the color...



Other remnants of a bygone era:





As I was leaving, I had to pull over to get some shots of this art deco, Frank Lloyd Wright kind of home, which I've named the "K. K. House." It is located right off of what is now the major thoroughfare, N. Henderson Blvd.


June 7, 2006

R.I.P. Billy Preston

1946-2006

"Billy Preston, 59; Dazzling, Troubled Keyboardist Known as the `Fifth Beatle'"

Like it or not, this is what he'll be most remembered for doing.

Beatle George brought Billy into the studio while the Fabs were struggling through the beginning of their breakup period, hoping his presence would add a spark. I'd say the goal was achieved!

The Wikipedia page for Preston has this information about his "Beatles phase":

"...he was probably best known for his work with the Beatles. He played on their 1970 album Let It Be and on the songs 'I Want You (She's So Heavy)' and 'Something', from 1969's Abbey Road. Signed to their Apple label, in 1969, Preston released the album That's the Way God Planned It and a single of the same name (produced by George Harrison). His relationship with Harrison continued after the break up of The Beatles; he was the first artist to record 'My Sweet Lord' (the single flopped), and he was on several of George's 70's solo albums..."

It's Billy Preston and the Billy Preston Trio!!

June 6, 2006

"Tom Cruise Foiled Again"--Gawker

South Park has won a Peabody Award, which honors “distinguished achievement and meritorious service by radio and television networks, stations, producing organizations, cable television organizations and individuals.”

“South Park” was praised as a show that “pushes all the buttons, turns up the heat and shatters every taboo,” Peabody Awards Director Horace Newcomb said. “Through that process of offending it reminds us of the need for being tolerant.”

Fingerbang:

Girl, so you can sing along, girl:

Fingerbang bang bang Fingerbang bang bang bang bang
I'm gonna Fingerbang-bang you into my life
Girl, you like to Fingerbang and it's all right.
'Cuz I'm the King of Fingerbang, let's not fight
I'm gonna Fingerbang-bang you every night.

And, girl you know that you're the only girl for me,girl.
Girl, you're the girl of my fantasies, you're my girl,
You're my girl, my girl.

Fingerbang, bang, bang, bang, bang...

Fingerbang bang bang bang bang
I'm gonna Fingerbang-bang you into my life
Girl, you like to Fingerbang and it's all right.
'Cuz I'm the King of Fingerbang, let's not fight
I'm gonna Fingerbang-bang you every night.


From "Bebe's Boobs Destroy Society", the sixth season

South Park Studios
Comedy Central

Previous posts:

  • The First Amendment was created for Trey Parker and Matt Stone
  • Modern day Jonathan Swifts
  • Heartbreakers enter into subconscious of Chili Peppers

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    June 5, 2006

    Johnny Whitakermania

    LADIES AND GENTLEMEN.....JOHNNY WHITAKER!!

    As a way to mainly publicize their 1973 programs, Sid and Marty Krofft threw together The World of Sid & Marty Krofft at the Hollywood Bowl. Making an appearance during the awkward and tacky proceedings were The Brady Kids, looking as white as white can be, Jack Wild, and Johnny Whitaker. It would appear that the poor kid was being groomed to become a pop star, and he was clearly not up to the challenge. For one thing, adolescence is a knockin' at his door, as well as vocal cords. The Krofft show Sigmund and the Sea Monsters came out in '73, Whitaker sang the theme song, and he performed it at the Hollywood Bowl fiasco.

    Eat your heart out, Leif Garrett.

    Here it is. Prepare to cringe.

    ctmilo's (who apparently is forced to watch this every time it comes on TV) comments at the IMDb page are spot on:

    "...The whole thing looks like it was basically planned and choreographed in the span of that afternoon...Obviously, the producers of this just thought they could assemble all the pre-pubescent heart throbs of that zeitgeist, throw 'em on stage and make a quick buck. Whittaker looked very nervous and unsure of himself.

    Also, when the camera pans across the audience at one point, before cutting to a commercial break, you can see Robert Reed (Mr. Brady) in the audience drinking a beer or something..."



    My peers looked thrilled! Just look at us, already desensitized by television and rock and roll music. Actually, in their defense, it's all extremely lame.

    They single-handedly warped the minds of an entire generation.

    June 4, 2006

    Lord and King

    gwsells and thefunkyangel submitted this awesome photo of Elvis and Jack Lord, and wife, to Candid Central. They are backstage in Las Vegas in January or February 1973. Elvis' jacket is da bomb. Some great hair (and sideburns) in that room, huh? In fact, Jack Lord's wife appears to be reveling in all the great hair as she gazes with pride and incredulity at Jack's impressive coiffure.

    An Elvis site, called The Legend, has a section devoted to the CD covers of bootlegs, including this one:

    Treebeard



    Last October, there was the Dark Mark sighting. Now it appears Nacogdoches has another fictional character in residence: