

The New York Times wrote: "If we really wanted to be nasty about it, we could say that this Farley-Riley sequence is the best thing in the new picture. At least it makes no pretense of being anything but a musical interlude dragged in by the scruff of its neck to illustrate the devastating effect upon the public of some anonymous young busybody's question about the workings of a three-valve sax horn. Like the 'March of Time,' it preserves in film the stark record of a social phenomenon—in this case, the conversion of a song hit into a plague, like Japanese beetles or chain letters." (Wikipedia)